Lately, I’ve been blessed to have my writing featured on a number of different websites.
After my Wes Anderson article was published at Catholic World Report, I also reviewed the recently-released film Little Boy for CWR.
Director Alejandro Monteverde’s upcoming film Little Boy offers a story about childhood, faith, and prejudice set in a tiny California town during World War II. The film, in theaters this weekend, features beautiful imagery and a compelling storyline, and demonstrates careful production that captures the charm of 1940s America.
The film is rich in potential, and some are rushing to support it merely because it is a “Christian” film, while others wonder whether Monteverde’s latest effort might not feature the same weaknesses of storytelling and pacing that handicapped his 2006 pro-life movie Bella. Read the rest at Catholic World Report. . .
Then, the Civilized Reader over at Crisis Magazine published my piece on C.S. Lewis’s last novel, Till We Have Faces, which I found profoundly powerful and moving.
Oft forgotten amid the fanfare for The Chronicles of Narnia and his sci-fi trilogy, C.S. Lewis’s Till We Have Faces was the last novel he wrote; and it is an unforgettable fiction that feels, in some ways, a little too real. Much as The Screwtape Letters dissects the shameful foibles of the human soul with insight sharper than a surgeon’s knife, Till We Have Faces takes up with shocking clarity a grim problem as old as Job: man’s complaint against a seemingly inscrutable God.
The result is not easy reading. Although the plot races through a powerful drama based on the pagan myth of Cupid and Psyche, readers must keep pace with difficult spiritual questions as the narrator navigates painful memories and grave soul-searching. Lewis thus takes a bold and unfiltered look at some of humanity’s darkest struggles: pride; doubt; anger against God; the problem of suffering; and the mysterious battle between love and selfishness in the human heart. Read the rest at Crisis Magazine . . .